America's Musical Heritage

Rated 4 out of 5 by from Interesting History of American Music I enjoyed this shorter course as an introduction to the various roots of American music.
Date published: 2021-03-30
Rated 3 out of 5 by from Could use a lot of improvement I've watched probably 100 or more Great Courses and would give most of them a rating of 4 or 5. But not this one. There were great moments here and there but it seemed thrown together in haste. It needed more music and less commentary. The Zoom interviews with other musical experts added nothing and were too long. I am aware of the copyright issues and enjoyed the Folkways recordings. I hope Great Courses will do another courses on the same subject with a different professor, and expand it to 24 lectures.
Date published: 2021-03-30
Rated 5 out of 5 by from Fun! I have two lectures left still, but I’m having fun! I’m not a big student of music, so this is my pace. There are fun facts, great examples, and enough of a survey feeling that it stays interesting.
Date published: 2021-03-13
Rated 5 out of 5 by from America's Musical treasure trove I am a big fan of the Smithsonian courses. They are just a treasure trove of information and they make me see just how amazing our country is. I did think that they should have included a lecture on rock and roll as that is a distinct genre of American music as well. I thought it was great having the nephew of Pete Seeger as the teacher. Someone who is both a part of American musical history as well as a teacher/musician himself makes this course both highly entertaining and educational. I think that all viewers should certainly buy this course.
Date published: 2020-12-24
Rated 5 out of 5 by from Very enjoyable! I ended up singing along or dancing with each session.
Date published: 2020-10-31
Rated 1 out of 5 by from America's Musical Heritage I must share how disappointing this course was. There is little about America's most important contribution to the art world, jazz. Nothing about the blues is in any chapter name. Why is the banjo even mentioned? It's African. The drum set, along with the electric guitar, were both invented in the United States and continue to be two of the biggest selling musical instruments in the world. Music and the Broadway show are not even mentioned. This is really a poor indication of what America's musical heritage is really all about. It makes me wonder about the authenticity of other Great Courses that I have purchased. Jonathan Edwards, Bachelor of Music, Berklee College of Music, Master of Arts, Ethnomusicology, New York University. Jazz musician and educator.
Date published: 2020-10-23
Rated 1 out of 5 by from Erratic sound I am so dissapointed - the sound quality is so poor - the narrator's voice goes from impossible to hear, to very loud outbursts of sound!! How very unpleasant, I will want my money back. Surely not worth the cost. Will not purchase any other products from G. Courses.
Date published: 2020-10-18
Rated 4 out of 5 by from Folksy This course is by the noted and highly-regarded ethnomusicologist, Dr. Anthony Seeger. Yes, he frequently refers to “Uncle Pete.” This course surveys origins and composition of a variety of American musical genres including folk, religious, protest, and jazz. Interestingly it ignores stage musical (except for minstrel) and film musicals. He discusses Louis Moreau Gottschalk but he ignores Aaron Copeland, George Gershwin, and Charles Ives. This is odd since Copeland expressed American folk music in classical music formats and Gershwin fused American jazz with classical musical forms such as rhapsody and opera. Each advanced American music. Nevertheless, what Dr. Seeger does address is interesting and informative. There are frequent interviews with other experts. In my opinion, these contribute little and end up as a lull in the action. I used the video version but I think that audio would have worked just about as well.
Date published: 2020-07-01
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America's Musical Heritage
Course Trailer
Inheriting America’s Musical Traditions
1: Inheriting America’s Musical Traditions

Use classic children’s music—everything from jump rope rhymes to lullabies—as a fascinating window into America’s musical traditions and how they open up a plethora of musical doors and memories. Also, get an introduction to some of the many incredible treasures contained in the Smithsonian Folkways Recordings series.

29 min
American Revolutionary and Wartime Music
2: American Revolutionary and Wartime Music

American music has shaped the meaning of war, making it a more shared experience. Take a closer listen to music from the Revolutionary War (“The President’s March”) and the Civil War (“I’m Going Home to Dixie”), as well as anti-war songs including “I Didn’t Raise My Boy to Be a Soldier.”

25 min
European Empires and American Music
3: European Empires and American Music

The United States is built on a foundation of pre-existing musical heritages from people who were already in North America before the nation was born. Survey the musical traditions of the British, French, and Spanish empires, as well as influence from Indigenous groups—some of which still endure to this day.

33 min
Minstrel Shows and Variety Shows
4: Minstrel Shows and Variety Shows

In this lecture, Professor Seeger wrestles with the development of American minstrel shows in the 1830s, with their roots in slavery and racial stereotypes. Then, he reveals how these problematic shows laid the groundwork for other musical traditions, including circuses, medicine shows, and the popular entertainment known as vaudeville.

30 min
Music of American Movement and Dance
5: Music of American Movement and Dance

From square dances (the official state dance in over 20 states) to the waltz (one of America’s earliest dance crazes), investigate the relationship between movement and music in the United States. Discover how the human body can synchronize itself to an external rhythm—a response known as rhythmic entrainment.

29 min
Hymns, Spirituals, and Chants in America
6: Hymns, Spirituals, and Chants in America

Examine the main strands of religious music in the United States. Among the many you’ll look at are spirituals (both European and African variations); religious chants from Catholic, Jewish, and Muslim traditions; and ring shouts and shape-note singing. Also, spend time with popular compositions like “Northfield” and “Amazing Grace.”

32 min
Brass Bands, Powwows, and Folk Festivals
7: Brass Bands, Powwows, and Folk Festivals

How does music bring like-minded people together? In this lecture, turn to three traditions of voluntary, public music in America: brass bands, powwows, and folk music festivals. Learn how each tradition—despite their unique sounds and histories—offers fellowship, reinforces bonds, and helps foster a sense of communal history.

28 min
American Music of Politics and Protest
8: American Music of Politics and Protest

In the United States, the ties between music and political and protest movements are deep and long-standing. Here, explore political parodies known as “zipper songs” and iconic songs about disenfranchised women, workers, and African-Americans, including “Bread and Roses,” “Solidarity Forever,” and “We Shall Overcome.”

30 min
The Banjo: An African Gift to American Music
9: The Banjo: An African Gift to American Music

Follow the story of the banjo, a musical instrument whose development is intertwined with larger American themes of slavery, conflict, struggle, ingenuity, and musical inventiveness. Plus, learn how musical instruments change shape and sound, and deepen your understanding of the ways we interpret cultural and musical ownership today.

27 min
The Roots of Country Music in America
10: The Roots of Country Music in America

Visit the Appalachian region of the Southeast and unearth the roots of “country music” (a term that wasn’t used until the 1950s) in mountain “hillbilly” music. Along the way, consider some of the many tropes of this genre of music, exemplified by a song from 1947 called “Goodbye, Old Paint.”

28 min
American Piano, Ragtime, and Early Jazz
11: American Piano, Ragtime, and Early Jazz

From concert pianos to player pianos, explore the inner workings of one of music’s most iconic instruments and its many variations. Then, witness the power of the piano in ragtime music (including Scott Joplin’s “Maple Leaf Rag”) and its role in the emergence of jazz, one of America’s most thrilling musical forms.

31 min
The Musical Gumbo of New Orleans
12: The Musical Gumbo of New Orleans

What makes the city of New Orleans more musically extraordinary than other American cities? The answer: a rare combination of distinct musical and cultural influences coming together in one place. Professor Seeger closes out this course with an appreciation of the importance of place in American music.

32 min
Anthony Seeger

From hymns and spirituals, to songs of protest, and the national anthem; music has always played a powerful role in American life.

ALMA MATER

University of Chicago

INSTITUTION

University of California, Los Angeles

About Anthony Seeger

Anthony Seeger is a Curator and Director Emeritus of Smithsonian Folkways Recordings. Additionally, he is a Distinguished Professor of Ethnomusicology Emeritus at the University of California, Los Angeles. Born into a musical family, he is also an anthropologist, ethnomusicologist, audiovisual archivist, record producer, and amateur musician. Professor Seeger received his BA in Social Relations from Harvard University and his MA and PhD in Anthropology from the University of Chicago.

Professor Seeger lived in Brazil for nearly 10 years and spent much of that time as a member of the Graduate Program in Social Anthropology in the Department of Anthropology at the National Museum in Rio de Janeiro. His anthropological research focused on the music and culture of the Kĩsêdjê people (formerly known as the Suyá) of Mato Grosso, Brazil. He also helped establish the Musicology/Ethnomusicology/Music Education MA program at the Brazilian Conservatory of Music.

Professor Seeger later returned to the US to serve as director of the Archives of Traditional Music at Indiana University Bloomington, where he also taught. He then moved to the Smithsonian Institution to assume the direction of the recently acquired Folkways Records and to become the first curator of the Smithsonian’s Folkways archival collection. He established the Smithsonian Folkways Recordings record label, where he was the executive producer for more than 250 CDs as well as a collaborator on DVDs and radio series. He was also the faculty director of the UCLA Ethnomusicology Archive.

Professor Seeger has been active in several professional organizations. He served as president of the Society for Ethnomusicology, president and secretary general of the International Council for Traditional Music, chair of the Research Archives Section of the International Association of Sound and Audiovisual Archives, and vice president of the Brazilian Association for Ethnomusicology. Professor Seeger was elected as a member of the American Academy of Arts and Sciences, and he received a Guggenheim research fellowship, among other grants. He was awarded the Tai Chi Traditional Music Prize for lifetime achievement from the Central Conservatory of Music in Beijing and also received the Lifetime Contribution Award from the Brazilian Studies Association.

Professor Seeger has published three books, four coedited volumes, and more than 120 articles and book chapters on the music and culture of Indigenous Brazilians, Indigenous rights issues, ethnomusicology, audiovisual archiving, American music, intellectual property, and other subjects. Among Professor Seeger’s books are Nature and Society in Central Brazil: The Suya Indians of Mato Grosso and Why Suyá Sing: A Musical Anthropology of an Amazonian People. With Dr. Shubha Chaudhuri, he coedited Archives for the Future: Global Perspectives on Audiovisual Archives in the 21st Century. Additionally, he produced and presented a 1988 series of six 30-minute radio shows for the BBC on American traditional music. Professor Seeger now lectures in the US and abroad.

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