Building Great Sentences: Exploring the Writer's Craft

Rated 5 out of 5 by from Elegant writing Good course. Pushes writer to explore more than just short sentences.
Date published: 2020-09-01
Rated 5 out of 5 by from So Far, So Good I'm taking a session a day. Each one builds on the last, and they have been very helpful with my writing. The instructor is brilliant; even funny. I especially like the short homework assignments. No one loves homework, but the assignments really reinforce the lessons.
Date published: 2020-08-10
Rated 5 out of 5 by from Significant Enrichment This course added a significant enrichment to my understanding of the function of sentences and their relationship to the "theory" of paragraphs and the "hallucination" of novels.
Date published: 2020-07-13
Rated 5 out of 5 by from Building Great Sentences Great course and it only confirms my view that brief sentences are for the uneducated.
Date published: 2020-04-18
Rated 5 out of 5 by from Very good course I published a book after studying with a very good writing coach. Since I never took a formal writing class (worth a hoot) in college, I thought I would give this a chance. I am about half way through the course at the time of this review, and it has already pushed my writing abilities up to a new level. I am incorporating the concepts as I write book two. I plan to review my notes as long as I continue to write novels.
Date published: 2020-04-18
Rated 4 out of 5 by from Wish I'd Paid Better Attention in English Class These lectures are a terrific way to puff off the dust of decades-old, forgotten lessons, wasted on me when I was young and foolish. Lots of "aha, yes . . . that is starting sound familiar . . . hello, old friend!" My maiden voyage into writing a novel is half-way through the first draft. These lessons on great sentences has been both eye-opening and a jolt to the impish muse of writing in a rut. Daily, I look forward to 30 minutes with my class of one . . . so much to learn!
Date published: 2020-04-15
Rated 5 out of 5 by from The Best I loved this course and, indeed, I'd rate it as the best of the Great Courses I've studied. It introduced me to ideas and concepts I've found nowhere else and my writing style has improved enormously as a result. Highly recommended.
Date published: 2020-03-02
Rated 5 out of 5 by from Excellent Course The lecturer provides top-notch information and knows his subject thoroughly. We bought this course to assist with proposal writing in business which is very different than writing in general; many of the longer sentence suggestions do not apply to RFP writing where the structure is more formal. Deadline driven and with only one opportunity allotted, our creative writing must connect and engage the customer persuasively in the business offer on the first read.
Date published: 2020-02-14
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Building Great Sentences: Exploring the Writer's Craft
Course Trailer
A Sequence of Words
1: A Sequence of Words

Building great sentences depends on more than just stringing words together. This lecture explores the definition of a sentence and introduces several assumptions on which the course rests, such as that a greater control of syntax is one of the most direct routes to improving writing....

34 min
Grammar and Rhetoric
2: Grammar and Rhetoric

Examine some of the key terminology used throughout the course and focus on learning how sentences work (their rhetoric) instead of merely labeling their constituent parts (their grammar)....

30 min
Propositions and Meaning
3: Propositions and Meaning

A sentence may contain more propositions than are visible in the grammar and syntax of its surface language. Discover how the facts, ideas, and feelings in a sentence lie beneath its words and organization....

30 min
How Sentences Grow
4: How Sentences Grow

Adding propositional content to a kernel sentence ("They slept.") moves sentences forward and enriches their meaning. Here are three types of strategies that give sentences more momentum and depth: the connective, the subordinative, and the adjectival....

30 min
Adjectival Steps
5: Adjectival Steps

Professor Landon makes the case for using adjectival strategies to increase the efficiency and effectiveness of your sentences. Boiling down subordinate clauses to single modifying words allows you to pack more information into each sentence....

29 min
The Rhythm of Cumulative Syntax
6: The Rhythm of Cumulative Syntax

Cumulative sentences lend themselves to writing moves that almost guarantee more effective sentences. Learn how these easy-to-write sentences take you through increasingly specific sentence levels and how they clarify and embellish preceding phrases....

31 min
Direction of Modification
7: Direction of Modification

Cumulative sentences also employ modifying words and phrases before, between, or at the end of base clauses. Investigate the benefits and potential risks of each of these placement options on the meaning of your sentences....

32 min
Coordinate, Subordinate, and Mixed Patterns
8: Coordinate, Subordinate, and Mixed Patterns

With your newfound understanding of the relationship between base clauses and modifying phrases, you examine the three major patterns of cumulative sentences and their effect on the base clause: coordinate (refining information), subordinate (providing new information), and mixed (combining the previous two patterns)....

33 min
Coordinate Cumulative Sentences
9: Coordinate Cumulative Sentences

This lecture elaborates on coordinate cumulative patterns, which pile up modifying phrases that point back to the base clause. It also emphasizes the importance of listening to how your sentences read as a means of tightening up their logic....

32 min
Subordinate and Mixed Cumulatives
10: Subordinate and Mixed Cumulatives

Continuing the discussion of various cumulative sentence patterns, Professor Landon zeroes in on subordinate and mixed patterns, which offer more variety to sentences by adding specificity or tapping into the strengths of both coordinate and subordinate patterns....

29 min
Prompts of Comparison
11: Prompts of Comparison

Prompts like "as if," "as though," and "like" can prompt writers to look for metaphors, similes, or speculative phrases that add information, clarification, and imaginative appeal to sentences. Learn how writers forge emotional links with their readers by incorporating figurative language into their writing....

31 min
Prompts of Explanation
12: Prompts of Explanation

Prompts can also speculate about the unknown. Examine three major prompts-"because," "perhaps," and "possibly"-to use in your sentences, so you can reveal more of your thinking and strengthen the connection between you and your readers....

31 min
The Riddle of Prose Rhythm
13: The Riddle of Prose Rhythm

Follow along with scholars and critics as they try to study, measure, and explain the mystery of prose rhythm. Learn to better recognize the distinctive rhythms that characterize your sentences by imagining their modifying levels as long or short bits of Morse code....

32 min
Cumulative Syntax to Create Suspense
14: Cumulative Syntax to Create Suspense

Learn to start thinking about sentences as not just "loose" or "periodic" but as possessing degrees of suspense. Base clauses in a cumulative sentence can be moved about or split to increase or decrease the reader's suspense about how the sentence will end....

32 min
Degrees of Suspensiveness
15: Degrees of Suspensiveness

In this lecture, you unpack the periodic/suspensive sentence, which suggests a greater degree of control over its material and, when used effectively, can generate interest by combining complex concepts with syntactical suspense....

31 min
The Mechanics of Delay
16: The Mechanics of Delay

Look closely at four broad tactics to delay completing the base clause, two of which involve the manipulation of modifiers and two of which use initial clauses or phrases as either extended subjects or as modifiers. You also consider a possible fifth tactic that involves using a colon or semicolon....

29 min
Prefab Patterns for Suspense
17: Prefab Patterns for Suspense

Another option for adding suspense to sentences is starting them with certain prompts such as "if" or "since." This lecture illustrates the uses of these and other prompts and considers some reasons for making suspense a critical part of your prose style....

30 min
Balanced Sentences and Balanced Forms
18: Balanced Sentences and Balanced Forms

Perhaps the most intense form of the periodic/suspensive sentence is the balanced sentence. Professor Landon points out that balanced sentences, in drawing their strength from the tension between variation and repetition, offer an advantage to writers comparing two subjects....

30 min
The Rhythm of Twos
19: The Rhythm of Twos

Binary oppositions in balanced sentences lend confidence and conclusiveness to writing. With its mirroring effect, the duple (double-beat) rhythm gives balanced sentences the power to stay lodged in your mind....

30 min
The Rhythm of Threes
20: The Rhythm of Threes

Three-part series bring an extended balance to sentences through the buildup of elements in threes. Delve into the unity, progression, and intensification at the heart of this syntactical form....

30 min
Balanced Series and Serial Balances
21: Balanced Series and Serial Balances

Sentence balance is an extension of the organizational constructs of human consciousness. Explore the prevalence of balanced rhythm in our speech and writing and look at numerous examples of sentence balance....

30 min
Master Sentences
22: Master Sentences

The opposite of the minimal base clause is the master sentence: a very long sentence that can function in remarkably original and controlled ways. While no formula can anticipate the context and purpose of master sentences, you can construct effective ones by combining a number of the strategies from earlier lectures....

30 min
Sentences in Sequence
23: Sentences in Sequence

Move beyond the sentence and on to the impact of several sentences in sequence and see new possibilities of resonance and relationship among their rhythms and structures....

32 min
Sentences and Prose Style
24: Sentences and Prose Style

How do our sentences fit into prose style? In exploring critical approaches to this issue, Professor Landon emphasizes that prose style can be seen as both a problem and a gift passed on from writer to writer....

32 min
Brooks Landon

This is a course in which we will dance with language, not a course in which we will trudge toward remedial correctness.


The University of Texas at Austin


The University of Iowa

About Brooks Landon

Dr. Brooks Landon is Herman J. and Eileen S. Schmidt Professor of English and Collegiate Fellow at The University of Iowa and Director of the university's General Education Literature Program. He earned his M.A. and Ph.D. from The University of Texas at Austin. Since 1978, Professor Landon has regularly offered a prose-style course focused on the sentence. He has also taught courses in nonfiction writing, contemporary American fiction, 20th-century American literature and culture, modern fiction, science fiction, hypertext fiction and scholarship, and electronic textuality. Published widely in the fields of contemporary American literature and science fiction, Professor Landon is the author of numerous books, including Science Fiction After 1900: From the Steam Man to the Stars; The Aesthetics of Ambivalence: Rethinking Science Fiction in the Age of Electronic (Re)Production; and Thomas Berger. Among his many awards and accolades are a University of Iowa M. L. Huit Teaching Award and an International Association for the Fantastic in the Arts Distinguished Scholarship.

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