The String Quartets of Beethoven
Overview
About
01: "Loose Change"
Enter Beethoven's tumultuous life, considering his spirit of revolutionary change and self-invention, as well as the influence of his personal crises and health problems on his creative output. Then learn the evolution of the string quartet, shaped by the ideals of the Enlightenment. Probe the innovations of Haydn and Mozart in "obbligato" accompaniment and Classical counterpoint, producing the string quartet as an art form joining four independent, highly "conversational" voices.
02: Beethoven's Classical Inheritance
Trace Beethoven's highly charged youth in Vienna as he reaches fame under the patronage of two royal figures, giving him the freedom to move forward quickly with his own artistic vision. Next, study the classical structure of the string quartet, focusing on Beethoven's Opus 18 no. 3. Consider the sonata, rondo, and minuet and trio forms, as Beethoven uses them idiosyncratically in this work, bringing brilliant originality to his first adventure with the string quartet.
03: Beethoven Busts Out!
This lecture charts Beethoven's creative development in the quartets of Opus 18, as well as his exploits in "marketing" them in the illustrious musical world of Vienna. You discover Beethoven's great ingenuity in his second quartet, as he develops a vibrant first movement from a single musical "motive," which then forms a subliminal link to the contrasting, darkly romantic second movement. Learn about his bold innovations with the scherzo form and the compelling architecture of the concluding rondo.
04: In Deference to His Masters
In forging his vision of the string quartet, Beethoven immersed himself in the methods of both Haydn and Mozart. Study how Beethoven experimented with aspects of Haydn's technique and "wit" in Opus 18 no. 2, while making them thoroughly his own. Learn about Beethoven's intense spiritual relationship with Mozart, and observe how he deliberately modeled Opus 18 no. 5 on Mozart's "esoteric" A Major Quartet of 1785, absorbing and extending essential features of Mozart's style.
05: Something Old and Something New
The lecture explores Beethoven's eccentric personal habits and his lifelong use of musical sketchbooks to introduce the puzzling origins of Opus 18 no. 4, the "Orphan" Quartet. Probe the internal evidence that suggests how this curiously uneven quartet may have been written. Also investigate the revolutionary nature of Opus 18 no. 6, where a melancholic "extra" movement and unpredictable shifts between light and darkness foreshadow the radical Middle Quartets.
06: Beethoven in 1805
In the early 19th century Beethoven passed through a shattering personal crisis, leading to a self-reinvention and new artistic path. Contemplate Beethoven's adopted "heroic" identity, inspired by the rise of Napoleon, and his new path in action, as he musically echoes his own struggles and despair in the history-making "Eroica" Symphony. And identify his key compositional innovations and his bold new vision of music as personal self-expression as revealed in the "Razumovsky" quartets.
07: Opus 59, No. 1—Revolution in Action, Part 1
The extraordinary first movement of Opus 59, no. 1 contains specific links to the Eroica Symphony, taking string quartet writing into the realm of orchestral scope and substance. In a detailed analysis of the movement, you study Beethoven's ingenious use of musical "motives," bold extremes of high and low registers, and the multitextured architecture of the exposition and development sections, as they create a sense of narrative storytelling with a deeply expressive thrust.
08: Opus 59, No. 1—Revolution in Action, Part 2
This lecture tackles the remaining movements of the revolutionary Opus 59, no. 1. Discover the brilliantly original scherzo, with its elaborate and unpredictable structure, surprising harmonic shifts, and constant thematic variations. Also track the dark, anguished third movement, whose meditation on darkness culminates in a subtle, unexpected transition to the light-filled final movement. See how Beethoven incorporates elements in the finale that unite the piece as a complete, movement-to-movement dramatic narrative.
09: String Quartet in E Minor, Op. 59, No. 2
Opus 59 highlights Beethoven's evolving belief in music as a dramatic, narrative progression. Chart his narrative impulse in Opus 59, no. 2, starting with the taut first movement, which builds a complex dramatic "story" as an outgrowth of two chords. Then follow the unfolding progression in the meditative second movement, the irreverent, Russian-themed scherzo, and the groundbreaking use of the finale as another bold step in a forward-moving journey.
10: String Quartet in C Major, Op. 59, No. 3
In the last quartet of Opus 59, Beethoven takes inspiration from Mozart in pursuing his own iconoclastic vision further. Investigate the jarring dissonances of the opening, and the highly unusual, use of the first violin as a dramatic "character." Next, study his use of the "crude" augmented second in the second movement, and his third-movement incarnation of a scandalous new dance - the waltz. Finally, penetrate the structure and expressive heart of the explosive, racing finale.
11: Beethoven in 1809
This lecture reveals circumstances in Beethoven's personal life that formed the backdrop for his huge creative burst between 1805 and 1809. Explore the composer's highly eccentric and difficult behavior with friends and patrons and the ways in which his personal crises fed his creativity. Additionally, trace the wars and political strife in Austria that accompanied the writing of a string of Beethoven's masterworks and the role of his heroic music in expressing the frustrations and ideals of his adopted homeland.
12: The "Harp"
The "Harp" Quartet of 1809 reveals Beethoven's reexploration of Classical ideals - an unexpectedly graceful, intimate piece written in a time of dire emotional and financial hardships. Study the "conversational" architecture of the first movement and his contrasting, double use of theme and variations form. Then investigate the quartet's distinguishing "secrets," from its radically new use of "pizzicato" as an integral element to its unusual centering of expressive extremes in the middle movements.
13: The "Serioso"—Opus 95
Dedicated to one of his closest friends, Beethoven's "Serioso" Quartet unfolds as a deeply personal vision. In uncovering its expressive resources, you study his jarring juxtapositions of light and dark in the first movement and his unsettling use of the "Neapolitan" chord. In the later movements, consider how Beethoven's ambiguous harmonies and unpredictable mood shifts evoke the sense of a troubled journey. Finally, reflect on the highly surprising ending of the piece and on theories that may explain its meaning to the composer.
14: Beethoven in 1824
The years between 1810 and 1825 frame a period of supreme upheaval, conflict, and ultimate rebirth for Beethoven. Probe the events of this era, as they illuminate his evolution as a composer and prefigure the writing of his "late" quartets. Learn about his many personal crises, including his deafness, a dramatic rise and fall in public acclaim, and personal relationships involving profound psychological trauma. And assess his second artistic self-reinvention, as he emerges with a string of masterworks that transform Western music.
15: Opus 127, Part 1
The "late" quartets, coming on the heels of the "Missa Solemnis" and the great Ninth Symphony, occupied Beethoven completely during the final years and months of his life. This lecture begins your journey into the orchestral scale and profound lyricism of Opus 127. Learn how the expressive power of the first movement rests on Beethoven's melding of dramatic extremes and use of unusual key relations. Also investigate his highly personal use of theme and variations form in the second movement.
16: Opus 127, Part 2
Dr. Greenberg frames the conclusion of Opus 127 with poignant details of Beethoven's hearing loss and the creation of his famous "Conversation Books." Study the hugely compelling scherzo, comparing its unpredictable, almost schizophrenic contrasts to analogies in the Ninth Symphony. Then trace innovations in the richly melodic finale, noting the ambiguous return of the primary theme in a kind of "false" recapitulation. Afterward, consider the factors surrounding the difficult public reception of the quartet.
17: String Quartet in A Minor, Op. 132, Part 1
This lecture focuses on the complex first movement of Opus 132, which achieves great expressive impact through unrelenting contrasts. In the opening, study the elements of "appoggiatura"and descending semitones that form the bleak, indistinct theme 1, and the jarring juxtaposition of the lilting second theme. Later, unravel the abstruse construction of the development section, incorporating a "transposed exposition," as it deepens the movement's aura of anxiety and incompleteness.
18: String Quartet in A Minor, Op. 132, Part 2
As a totality, Opus 132 articulates the "cathartic impulse" in Beethoven's music, leading through adversity and struggle to a state of grace. You investigate the polyphonic voicing and expressive contrasts in the melodic scherzo, followed by the ethereal, spiritual "Hymn of Thanksgiving," based in the Lydian mode and inspired by Beethoven's recovery from illness. Last, explore the darkly urgent rondo, whose contrasting episodes lead the quartet to a transformative conclusion of light and renewal.
19: Opus 130 and the Grand Fugue, Part 1
The lecture opens with dramatic details of Beethoven's relationship with two personal assistants during the writing of the late quartets and of the circumstances surrounding Opus 130 and the role of the legendary Grand Fugue. You delve deeply into the formal construction of this quartet, focusing specially on the extreme contrasts within the powerful opening movement, the rhythmic sophistication of the Alla danza tedesca, and the haunting lyricism of the Cavatina, which "grounds" the quartet expressively.
20: Opus 130 and the Grand Fugue, Part 2
The Grand Fugue is one of Beethoven's most sublime and most "modern" creations. Consider the majestic scope and impact of the fugue, as it brings together the markedly contrasting movements that precede it. Next, study its compelling structure, focusing on the four "double" fugue sections contained within it. Probe the profound influence of Bach on Beethoven's aesthetics and the story of the fugue's reception, leading to Beethoven's highly controversial decision to replace it with an alternate finale for Opus 130.
21: String Quartet in C# Minor, Op. 131, Part 1
Beethoven considered this monumental, seven-section quartet to be his single greatest composition. In this first lecture devoted to it, consider his visionary conception of fugue form and how he reverses the structural sequence of Opus 130 by conceiving this quartet with a "first-movement" fugue. Discover how the tonal structure of the opening fugue defines the harmonic unfolding of the entire quartet, and study the fugue's components in detail, culminating with its ambiguous, forward-looking conclusion.
22: String Quartet in C# Minor, Op. 131, Part 2
Continuing with Opus 131, investigate Beethoven's unpredictable harmonic transitions, linking the quartet's "movements" without separation in an ongoing, episodic continuity. Study the structure of the rondo and the following recitative section, noting their expressive functions within the whole. And track the arc of the theme and variations, in its movement from sustained, Classical lyricism to yet another inconclusive "ending," as the hymn-like final variation is dramatically disrupted, bringing timeless contemplation back to earth.
23: String Quartet in C# Minor, Op. 131, Part 3
Finally, reflect on the operatic structure and thrust of Opus 131 and the ways Beethoven unifies and balances the seven sections. Take apart the driving, "triple" scherzo, focusing on its complex trio section and dramatic, disorienting climax. Dig deeply into the explosive finale, tracking its thematic echoes of earlier movements, its triumphant recapitulation, which Wagner called "the dance of the whole world itself," and its multipart coda, ending on a grand gesture of affirmation.
24: Reconciliation—String Quartet in F Major, Op. 135
You conclude with Beethoven's astonishing final quartet and with reflections on the scope of his musical goals and artistic achievement. Opus 135 appears to be a return to Classicism - yet ultimately reveals another visionary extension of Beethoven's sensibility. Focus on his supreme ingenuity in the first movement, as he presents melodic events in "non-linear" time frames; the scherzo, with its stunning, ferocious trio section; and the enigmatic finale, representing the composer's philosophical farewell.